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2013 WDA-Americas Conference & Festival
Vancouver, BC
July 29-Aug 4, 2013

“Straddling Trio”
Performers and Spontaneous Choreography: Sarah Gamblin, Nina Martin, & Andrew Wass

Straddling Trio is the result of many years of interrogating, practicing and performing spontaneous dance choreography, though not always simultaneously. Nina Martin, Andrew Wass and Sarah Gamblin perform this ten minute dance using the practice of Ensemble Thinking along with the dialogue of their individual emergent improvisational practices.

SARAH GAMBLIN, Associate Professor, was a member of Bebe Miller Company from 1993-2000 and Bill Young and Dancers from 1996-99 with whom she toured various cities in South Africa, Portugal, Poland, St. Petersburg, Russia, Estonia, Peru and Venezuela as well as numerous cities in the US. In 2000 Sarah moved to Seattle to earn her MFA in Dance from the University of Washington. There she performed with the Chamber Dance Company, Rob Kitsos, Lingo dancetheater and Amii Le Gendre. Gamblin joined the dance faculty at Texas Woman’s University in 2002 where she teaches ballet and modern technique, composition, choreography, improvisation experiential anatomy and in 2006 founded Dance Lab, a student performing group devoted to improvisation in the dance making process and performance. Her choreography has been produced in Texas at the Fort Worth Dance Festival, the Out of the Loop Festival, Texas Woman’s University, Seattle Festival of Dance and Improvisation, Bates Dance Festival, the Greater Denton Arts Council, Dan’s Silver Leaf and Rubber Gloves Rehearsal Studio. Sarah’s work has also been produced in Washington at the University of Washington, The Northwest New Works Festival at On the Boards and in New York City at Hundred Grand and Dia Center for the Arts.

NINA MARTIN¹s choreographic works and master teaching has been presented in New York City; the US; and abroad; including Russia, Austria, Ireland, Finland, Italy, the Netherlands, Germany, Venezuela, Mexico, and Japan. Performance credits include David Gordon Pick-Up Company, Mary Overlie, Deborah Hay, Martha Clarke, and Simone Forti, among others. Martin has received funding for her work from the National Endowment for the Arts through six choreography fellowships, New York State Council on the Arts, New York Foundation for the Arts, Joyce-Mertz Gilmore Foundation, Meet the Composer/ Choreographer Grant, Texas Commission on the Arts, and others. Martin continues to teach and tour with Lower Left internationally, cultivate a dance community interested in collaborative inquiry, and as of Fall 2008, she joins the dance faculty at Texas Christian University as Assistant Professor.

After graduating from University of California, San Diego with a degree in Biochemistry in 1997, ANDREW WASS replaced the chem lab with the dance studio. His performances have been shown in San Diego, LA, San Francisco, Marfa, Tijuana, and New York. Vital to his development have been his work with Lower Left, the phrase The content lies in the structure (Impro:110), and combining the methods learned in the lab with performative practices. Living in Berlin since 2009, he has been curating the On The Wall dance film festival at ada Studio & Bühne. Recently he completed his MA in Solo/Dance/Authorship at the Hochschulübergreifendes Zentrum für Tanz in Berlin. www.wasswasswass.com, www.nonfictionperformance.org, & www.lowerleft.org

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This video is to bring you a closer look at the Zero 51A-180. This is a piece of finger guard and is an 8″ wide strip of rubber which happens to be a 12″ sample piece. This is used on the push side of a door between the hinge jamb and the face of the door and it is intended for someone to not hurt themself. So your typical installation will look like that and there is this face that will be attached down to the face of the door and this side goes back by the jamb. I might have said that backwards, you are going to create a loop like this is what I am trying to say. One part is going to go to the frame and the other part is going to go to the door and as that door opens it keeps the hinge jamb covered to prevent someone or something from going into that area. This model 8″ wide rubber is specifically intended for a door to go to 180 degrees and you are going to see this in a variety of applications and namely schools, industrial applications, childcare facilities, hospitals, and a variety of workplaces. This is a commercial quality and maintaince free product and surface mounts with screws and are included. There is a link below this video, 1 is a printable cut sheet and it gives you the elevation on how the 51A is installed and there is a dash 120 and that is for a 120 degree opening and the width of the rubber would be smaller because the door does open as much but it shows 120 being discontinued so 180 would be your go to material for this application. There is another link to a page called product brochure that shows the system in a bit greater detail with information and description of the item. You can see how the finger guard is intended to either act alone or to act in conjunction with the 951. Typically schools are going to have heavier doors with grade 1 commercial door calibers to be used and can be put up with some abuse. The doors are heavy and well excess of 100 lbs. On that link to the product brochure you will also see a couple of other items in terms of safety and with automatic doors as well. Finally there is a link below this video to the manufacture’s website where you call pull up the entire catalog and review Zeros custom solutions they have to products. This finger guard is a perfect example of unique solutions Zero has brought to the market. They are a leader in flood gate barriers as well as well as common weather stripping such as door sweeps, perimeter gasketing, and thresholds. If you have any questions on the Zero 51A-180 degree finger guard or any other Zero product please feel free to reach out to us. Thank you very much.