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https://www.momentum98.com/paineraser.html

ACU-REFLEX 4 BALL FOOT Bed ROLLER
The primary Discomfort Eraser was conceived by Deloris Orhdorf. She experienced experienced from several actual physical conditions and could get no relief. Her first “Discomfort Eraser” was the Magic Finger Roller (now termed the acu-reflex five cylinder roller), that contains a hundred and eighty magic tiny fingers (or spikes) on a rolling pin like contraption. By rolling it alongside her physique, it alleviated her soreness. She experienced been incredibly unwell, and she self-treated herself utilizing this concept of acu-factors in the physique remaining rolled by pointy pure rubber rollers. Slowly this self-massager was perfected into the line of products that contains the soreness eraser ball. She nonetheless makes some “soreness-eraser” products utilizing the rubber cylinder, as nicely.

Immediately after several, several requests, Deloris eventually determined to use the soreness-eraser concept into a would not roll away system foot massager, which is 1 of the finest guide foot massagers. This product is made in the United States, and is built with 100% pure rubber, which makes a big difference in the way it feels, the way it penetrates, and in the success it has in relieving soreness. There are “knock-off” soreness erasers that are NOT built with 100% rubber, and just do not have the come to feel-very good influence of these all pure rubber therapeutic massage balls, and from our viewpoint, also deficiency the results that only a pure rubber product can deliver, with no facet consequences from utilizing a rubber/plastic or plastic on your ft.

Be sure to pay a visit to our wellbeing retail outlet in Clintonville area of Columbus. Momentum98
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JeffJag is a Denver, CO Abstract Artist who posts HD Time-Lapse and Stop Motion videos of his work on a bi-weekly basis. Prints and T-shirts — http://prints.jeffjag.com
For more info — click SHOW MORE.

Get the song — http://soundcloud.com/jeffjag/indigo-grove

This one has been a while in the making, and it’s not the last video I’ll have for this drawing. More videos coming on a regular basis. This is video number 7 recorded on June 7th and 20th, 2013.

MATERIALS:
The drawing is called Amazing Realization, and it is an enormous pencil drawing on a 22″ x 30″ sheet of fine heavy bristol drawing paper. In the drawing, I use many 0.3mm mechanical pencils. I use mostly to HB and 2B graphite leads. I occasionally use paper shaders to blend the pencil, but again, the vast majority of it is hand shaded using a very careful amount of hand pressure.

TECHNIQUES:
Whenever I’m holding the pencil much further back from the tip, I’m allowing the pencil’s own weight to press down on the paper which makes for very soft shading. I am also not a robot drawing robot, so I use erasers. I use the white plastic erasers that work so well with drafting pencils, and the rubber gray kneadable erasers you can form into shapes. I like those for lightening areas which have been filled in too dark, and to keep my pencils from rolling off my drawing desk when I’m not using them. I use a horse hair eraser brush to remove eraser shavings from the drawing without smudging my work. I sometimes use a latex glove on my left hand to keep the oil of my hand from getting on the paper, and for a similar reason, I put a sheet of paper under my drawing hand to keep from smudging parts I’ve already drawn while shading.

THE STORY:
Last year I started a Kickstarter to make prints of my new drawing, Amazing Realization, for people who wanted them. This is quite an epic project which began in mid November 2012 and continues months into 2013. On January 1st 2013 the Kickstarter was successfully funded at over 200% of my goal. Now I’m just working away at finishing the drawing and doing what I can to show the making-of process along the way. The backers get email updates with new photos showing the progress of the drawing the night I work on it, and I release the photo updates of the drawing daily on my Art blog, http://artblog.jeffjag.com, my facebook fan page http://www.facebook.com/jeffjag.art and my twitter feed @jeffjag (all three feature the same daily content). Check out the kickstarter page and watch the video of me announcing the project on that page. http://www.kickstarter.com/projects/112182510/super-detailed-abstract-pencil-art-amazing-realiza – And if you want a print even though the kickstarter’s over, you can pre-order right on my website or blog through the Amazon button.

TIME SPENT:
I started this drawing in November 2012 and I’m over half finished as of this video. For this video alone (number SEVEN), I captured 5,422 frames. Each of these frames was taken between 1 and 10 seconds apart. It varies due to the nature of stop motion and the complexities of drawing with one hand and capturing frames with the other hand. I’ll have a rough estimate by the time I post the final time-lapse project video. Subscribe to my channel and you’ll get it delivered right to you from the friendly YouTube folks in your emails.

SONG – Indigo Grove by JeffJag
The sounds were created in the Moog Animoog and Korg iELECTRIBE apps on iOS, then mixed together in a multi-track audio editor. All composing, recording, sequencing, and mixing was done by myself and you can listen to all the soundtracks I’ve made for my videos on SoundCloud here: http://soundcloud.com/jeffjag/

TIME-LAPSE vs. STOP MOTION
Stop motion and Time-Lapse are used at different intervals during this video. The first two videos in the series were shot at a frame every 5-8 seconds. Later on, I decided to get out my remote shutter release and you can see me holding the button in my left hand as I draw with my right hand. Starting with video 10, I use a wireless shutter release.

WHAT’S WITH THE LATEX GLOVE?
I use a latex glove on my left hand while I draw to keep the oil of my hand from getting on the paper. I place a white sheet of paper under my right hand so I can shade without smudging what I’ve already done. Because I have to move my right hand while drawing, this keeps my hand free to move over areas I may have already drawn without smearing the work.