12 Years Factory wholesale Isolater rubber sleeve to Ukraine Factories

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14”length (35cm), black, smooth finish, seamless, no cotton lining, 350g/pair, cuff perimeter:61cm, double layer thickness:2.2mm. 40 pairs/case. Net weight: 12.8kg/case, gross weight: 13.8kg/case. It can be suitable for sand blasting machine, dry box, isolater operation for arm protection.


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To be the stage of realizing dreams of our employees! To build a happier, more united and more professional team! To reach a mutual benefit for our customers, suppliers, the society and ourselves! 12 Years Factory wholesale Isolater rubber sleeve to Ukraine Factories, "Passion, Honesty, Sound service, Keen cooperation and Development" are our goals. We are here expecting friends all over the world!


14”length (35cm), black, smooth finish, seamless, no cotton lining, 350g/pair, cuff perimeter:61cm, double layer thickness:2.2mm. 40 pairs/case. Net weight: 12.8kg/case, gross weight: 13.8kg/case. It can be suitable for sand blasting machine, dry box, isolater operation for arm protection.

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  • JOHN MAYNARD KEYNES: The Economic Consequences of the Peace FULL Audiobook – The Economic Consequences of the Peace (1919) is a book written and published by John Maynard Keynes. Keynes attended the Versailles Conference as a delegate of the British Treasury and argued for a much more generous peace. It was a bestseller throughout the world and was critical in establishing a general opinion that the Versailles Treaty was a “Carthaginian peace”. It helped to consolidate American public opinion against the treaty and involvement in the League of Nations. The perception by much of the British public that Germany had been treated unfairly in turn was a crucial factor in public support for appeasement. The success of the book established Keynes’ reputation as a leading economist especially on the left. When Keynes was a key player in establishing the Bretton Woods system in 1944, he remembered the lessons from Versailles as well as the Great Depression. The Marshall Plan after Second World War is a similar system to that proposed by Keynes in The Economic Consequences of the Peace.

    The book was released in late 1919 and became an immediate bestseller on both sides of the Atlantic: it was released in the US in 1920. The scathing sketches of Wilson, Lloyd George and Clemenceau proved to be very popular and the work established Keynes’ reputation with the public as a leading economist. In six months, the book had sold 100,000 copies with translations into 12 languages. It restored Keynes’ reputation with the Bloomsbury Group which had been tarnished by his work for the treasury during the war. Keynes returned to Cambridge to work as an economist where he was regarded as the leading student of Alfred Marshall.(summary adapted from wikipedia.org – Attribution: http://en.wikipedia.org/w/index.php?title=The_Economic_Consequences_of_the_Peace&action=history)

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    - READ along by clicking (CC) for Closed Caption Transcript!

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    Chapter listing and length:

    01 – Chapter 1 Preface and Introductory — 00:07:49

    02 – Chapter 2 Europe Before the War — 00:22:01

    03 – Chapter 3 The Conference — 00:36:08

    04 – Chapter 4A The Treaty — 00:31:06

    05 – Chapter 4B The Treaty — 00:30:57

    06 – Chapter 5A Reparations — 00:24:17

    07 – Chapter 5B Reparations — 00:38:59

    08 – Chapter 5C Reparations — 00:43:19

    09 – Chapter 5D Reparations — 00:21:03

    10 – Chapter 6 Europe After the Treaty — 00:30:31

    11 – Chapter 7 Remedies — 00:35:51

    12 – Chapter 7B Remedies — 00:19:17

    Total running time: 5:41:18
    Read by Graham McMillan
    In addition to the reader, this audio book was produced by:
    Meta-Coordinator/Cataloging: MaryAnn
    This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
    This video: Copyright 2013. Greatest Audio Books. All Rights Reserved.



    JeffJag is a Denver, CO Abstract Artist who posts HD Time-Lapse and Stop Motion videos of his artwork every other Friday. Daily updated Art Blog – http://artblog.jeffjag.com

    This one has been a while in the making, and it’s not the last video I’ll have for this drawing. This is animation progress 13, recorded on September 6th and 7th, 2013.

    MATERIALS:
    The drawing is called Amazing Realization, and it is an enormous pencil drawing on a 22″ x 30″ sheet of fine heavy bristol drawing paper. In the drawing, I use many 0.3mm mechanical pencils. I use mostly to HB and 2B graphite leads. I occasionally use paper shaders and erasers to blend the pencil, but again, the vast majority of it is hand shaded using a very careful amount of hand pressure.

    TECHNIQUES:
    Whenever I’m holding the pencil much further back from the tip, I’m allowing the pencil’s own weight to press down on the paper which makes for very soft shading. I am also not a robot drawing robot, so I use erasers. I use the white plastic erasers that work so well with drafting pencils, and the rubber gray kneadable erasers you can form into shapes. I like those for lightening areas which have been filled in too dark, and to keep my pencils from rolling off my drawing desk when I’m not using them. I use a horse hair eraser brush to remove eraser shavings from the drawing without smudging my work. I sometimes use a latex glove on my left hand to keep the oil of my hand from getting on the paper, and for a similar reason, I put a sheet of paper under my drawing hand to keep from smudging parts I’ve already drawn while shading.

    THE STORY:
    Last year I started a Kickstarter to make prints of my new drawing, Amazing Realization, for people who wanted them. This is quite an epic project which began in mid November 2012 and continues months into 2013. On January 1st 2013 the Kickstarter was successfully funded at over 200% of my goal. Now I’m just working away at finishing the drawing and doing what I can to show the making-of process along the way. The backers get email updates with new photos showing the progress of the drawing the night I work on it, and I release the photo updates of the drawing daily on my Art blog, http://artblog.jeffjag.com, my facebook fan page http://www.facebook.com/jeffjag.art and my twitter feed @jeffjag (all three feature the same daily content). Check out the kickstarter page and watch the video of me announcing the project on that page. http://www.kickstarter.com/projects/112182510/super-detailed-abstract-pencil-art-amazing-realiza

    TIME SPENT:
    I started this drawing in November 2012 and I’m in the last stretch of drawing in of this video. At the time this video was posted, frames have been captured up through video 15, and half of 16. So there’s a lot left, but it’s getting close. For this video alone (number THIRTEEN), I captured 5,525 frames. Each of these frames was taken between 1 and 10 seconds apart. It varies due to the nature of stop motion and the complexities of drawing with one hand and capturing frames with the other hand. I’ll have a rough estimate by the time I post the final time-lapse project video. Subscribe to my channel and you’ll get it delivered right to you from the friendly YouTube folks.

    SOUNDTRACK – Jokes About Puppets by JeffJag
    The sounds were created in the Moog Animoog app on iOS and mixed together in the built-in Animoog 4-track audio editor. All composing, recording, sequencing, and mixing was done by myself specifically for this stop motion time-lapse video. It is only available in this video since that is it’s exclusive purpose and why I created it.

    TIME-LAPSE and STOP MOTION
    Stop motion and Time-Lapse are used at different intervals during this video. The first two videos in the series were shot at a frame every 5-8 seconds. Later on, I decided to get out my remote shutter release and you can see me holding the button in my left hand as I draw with my right hand. Starting with video 10, I use a wireless shutter release which is super awesome.

    WHAT’S WITH THE LATEX GLOVE?
    I use a latex glove on my left hand while I draw to keep the oil of my hand from getting on the paper. I place a white sheet of paper under my right hand so I can shade without smudging what I’ve already done. Because I have to move my right hand while drawing, this keeps my hand free to move over areas I may have already drawn without smearing the work.

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