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This is a Re-Uploaded video that i had on youtube. Due to a song i used they removed it. 60k+ views Now we start over

Making a crappy wheel look less crappy. In the end you still have a rota!

Song by: http://soundcloud.com/bcjdmdecalscom/andre-mildh-hiphop2
Paint Stripper: KLEAN-STRIP AIRCRAFT REMOVER
Part Number: #AR 343
Where to purchase: Anywhere they sell automotive paint.
Price: $35.00
Additional Info:
This video is not a DIY. The video was more less filmed for fun. Gave me a reason to use my Canon XL1s.

Idea of video:
Countless times i have seen on various honda forums of DIY tips on how to strip your wheels. This process being so simple, there are still members asking questions.. How long does it take, do you have to pressure wash it off, what about gloves.

This video is simple, shows how honestly this process is. Its just wipe on and off.

worried about your hands? Then wear chemical gloves, or just don’t get anything on your hands.

The ONLY tip that i can give, that i feel many dont know is…

If you noticed in the first min or so of the video, i keep applying layers of the stripper. That is because as im doing that, the stripper is begin absorbed into the paint, making it peel off. If you keep putting fresh layers of stripper, it will keep pulling the paint.

Im sure most of you know that, but.. for those of you that like to read up on everything before you do anything on your own.. thats my tip.

The video is LONG i know, the idea is to show a realistic timeframe in a speed video of how long this takes.

The reason I did not use the spray Aircraft Stripper, is because of a couple reasons.

1. It takes about 1 spray can per wheel.
2. After you spray it on, you still need to bust out some type of brush to make sure it makes it in all the small crevices.
3. I can do all 4 wheels with 1 8$ can found at Walmart.
4. There is no over spray, or splatter with the brush method.

JeffJag is a Denver, CO Abstract Artist who posts HD Time-Lapse and Stop Motion videos of his work on a bi-weekly basis. Prints and T-shirts — http://prints.jeffjag.com
For more info — click SHOW MORE.

Get the song — https://soundcloud.com/jeffjag/summer-evening-with-the

This one has been a while in the making, and it’s not the last video I’ll have for this drawing. More videos coming on a regular basis. This is video number 6 recorded on May 24th and 31st 2013.

MATERIALS:
The drawing is called Amazing Realization, and it is an enormous pencil drawing on a 22″ x 30″ sheet of fine heavy drawing paper. In the drawing, I use many 0.3mm mechanical pencils. I use mostly to HB and 2B graphite leads. I occasionally use paper shaders to blend the pencil, but again, the vast majority of it is hand shaded using a very careful amount of hand pressure.

TECHNIQUES:
Whenever I’m holding the pencil much further back from the tip, I’m allowing the pencil’s own weight to press down on the paper which makes for very soft shading. I am also not a robot drawing robot, so I use erasers. I use the white plastic erasers that work so well with drafting pencils, and the rubber gray kneadable erasers you can form into shapes. I like those for lightening areas which have been filled in too dark, and to keep my pencils from rolling off my drawing desk when I’m not using them. I use a horse hair eraser brush to remove eraser shavings from the drawing without smudging my work. I sometimes use a latex glove on my left hand to keep the oil of my hand from getting on the paper, and for a similar reason, I put a sheet of paper under my drawing hand to keep from smudging parts I’ve already drawn while shading.

THE STORY:
Last year I started a Kickstarter to make prints of my new drawing, Amazing Realization, for people who wanted them. This is quite an epic project which began in mid November 2012 and continues months into 2013. On January 1st 2013 the Kickstarter was successfully funded at over 200% of my goal. Now I’m just working away at finishing the drawing and doing what I can to show the making-of process along the way. The backers get email updates with new photos showing the progress of the drawing the night I work on it, and I release the photo updates of the drawing daily on my Art blog, http://artblog.jeffjag.com, my facebook fan page http://www.facebook.com/jeffjag.art and my twitter feed @jeffjag (all three feature the same daily content). Check out the kickstarter page and watch the video of me announcing the project on that page. http://www.kickstarter.com/projects/112182510/super-detailed-abstract-pencil-art-amazing-realiza – And if you want a print even though the kickstarter’s over, you can pre-order right on my website or blog through the Amazon button.

TIME SPENT:
I started this drawing in November 2012 and I’m over half finished as of this video. For this video alone (number SIX), I captured 6,631 frames. Each of these frames was taken between 1 and 10 seconds apart, due to the nature of stop motion. I’ll have a rough estimate by the time I post the final time-lapse project video. Subscribe to my channel and you’ll get it delivered right to you from the friendly YouTube folks in your emails.

SONG – Summer Evening with the Crumbling Orphan Whales of the Pyrenees by JeffJag
The sounds were created in the Moog Animoog and Korg iELECTRIBE apps on iOS, then mixed together in a multi-track audio editor. All composing, recording, sequencing, and mixing was done by myself and you can listen to all the soundtracks I’ve made for my videos on SoundCloud here: http://soundcloud.com/jeffjag/

TIME-LAPSE vs. STOP MOTION
Stop motion and Time-Lapse are used at different intervals during this video. The first two videos in the series were shot at a frame every 6-8 seconds. Later on, I decided to get out my remote shutter release and you can see me holding the button in my left hand as I draw with my right hand.

WHAT’S WITH THE LATEX GLOVE?
I use a latex glove on my left hand while I draw to keep the oil of my hand from getting on the paper. I place a white sheet of paper under my right hand so I can shade without smudging what I’ve already done. Because I have to move my right hand while drawing, this keeps my hand free to move over areas I may have already drawn without smearing the work.