Popular Design for Rubber glove-household for Australia Factory

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West Coast Goalkeeping Vyper Rekon: Negative Reverse Stitch is the best glove i have ever worn the mix of the negative cut with the tight fitting back hand and stretch strap is the perfect fitting glove for all. Pick them for $59 USD !!! Buy It Now link and Full Feautres below.
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Buy It Now: http://www.westcoastgoalkeeping.com/collections/west-coast-gloves/products/vyper-rekon-reverse
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Full Features:
WEATHER: THIS ALL-WEATHER GLOVE REQUIRES NO PRE-WASH (THOUGH IT IS EVEN STICKIER IF YOU DO PRE-WASH IT) JUST PEAL THE PROTECTIVE FILM FROM THE PALM AND YOU ARE READY TO PLAY!
GRIP: 4MM GERMAN SUPREME LATEX IS ONE OF THE MOST STICKY AND DURABLE PALMS YOU WILL FIND! WORKS AMAZING IN DRY WEATHER, WHILE STILL ABLE TO BE USED IN LIGHT RAIN. SUPREME LATEX IS ALSO INCREDIBLY DURABLE- THIS IS AN IDEAL MATCH GLOVE! DO YOU PLAY ON ARTIFICIAL TURF – SUPREME GRIP IS THE PERFECT CHOICE AND HIGHLY RECOMMENDED FOR NEXT GEN FIELD TURF PITCHES!
DESIGN: FEATURING MICRO-MESH FOR ADDED COMFORT, THIS GLOVE ALSO COMES WITH NEGATIVE FINGERS FOR A MORE SECURE GRIP, WITH MICRO MESH ON THE EDGES. HALF GUSSETS ARE USED TO INCREASE THE FEEL ON THE PALMS AS WELL WITH THE VYPER REKON NEGATIVE REVERSE CUT.
WRIST: DOUBLE ELASTIC WRIST STRAP WITH ID BOX FOR AN EXTRA SECURE FIT!
BACKHAND: 3MM SUPER SOFT LATEX BACKHAND WITH COMFORT FOAM LINING IN BACKHAND. THIS GLOVE IS ESPECIALLY COMFY IF YOU CHOOSE TO REMOVE THE FINGERSAVES, IT WILL FEEL LIKE A PILLOW ON YOUR HANDS!
FINGER PROTECTION: GUARDIAN FINGER PROTECTION SYSTEM (NOT THUMB) WITH A CONVENIENT SMALL FLEX POCKET FOR QUICK REMOVAL. QUICKLY REMOVE THEM FOR A LIGHTER MORE FLEXIBLE GLOVE! IF YOU REQUIRE THUMB SAVES THEY CAN BE ADDED FOR $1.00 USD IN ACCESSORIES. EVERY WEST COAST GLOVE CAN ACCEPT THUMB SAVES IF YOU DESIRE, HOWEVER THEY ARE NOT INCLUDED.
SIZING & FIT: THIS GLOVE WILL FIT TRUE TO SIZE, AND SHOULD BE ORDERED ACCORDINGLY.

JeffJag is a Denver, CO Abstract Artist who posts HD Time-Lapse and Stop Motion videos of his artwork every other Friday. Daily updated Art Blog – http://artblog.jeffjag.com click SHOW MORE.

This one has been a while in the making, and it’s not the last video I’ll have for this drawing. This is animation progress 14, recorded on September 10th and 12th, 2013.

MATERIALS:
The drawing is called Amazing Realization, and it is an enormous pencil drawing on a 22″ x 30″ sheet of fine heavy bristol drawing paper. In the drawing, I use many 0.3mm mechanical pencils. I use mostly to HB and 2B graphite leads. I occasionally use paper shaders and erasers to blend the pencil, but again, the vast majority of it is hand shaded using a very careful amount of hand pressure.

TECHNIQUES:
Whenever I’m holding the pencil much further back from the tip, I’m allowing the pencil’s own weight to press down on the paper which makes for very soft shading. I am also not a robot drawing robot, so I use erasers. I use the white plastic erasers that work so well with drafting pencils, and the rubber gray kneadable erasers you can form into shapes. I like those for lightening areas which have been filled in too dark, and to keep my pencils from rolling off my drawing desk when I’m not using them. I use a horse hair eraser brush to remove eraser shavings from the drawing without smudging my work. I sometimes use a latex glove on my left hand to keep the oil of my hand from getting on the paper, and for a similar reason, I put a sheet of paper under my drawing hand to keep from smudging parts I’ve already drawn while shading.

THE STORY:
Last year I started a Kickstarter to make prints of my new drawing, Amazing Realization, for people who wanted them. This is quite an epic project which began in mid November 2012 and continues months into 2013. On January 1st 2013 the Kickstarter was successfully funded at over 200% of my goal. Now I’m just working away at finishing the drawing and doing what I can to show the making-of process along the way. The backers get email updates with new photos showing the progress of the drawing the night I work on it, and I release the photo updates of the drawing daily on my Art blog, http://artblog.jeffjag.com, my facebook fan page http://www.facebook.com/jeffjag.art and my twitter feed @jeffjag (all three feature the same daily content). Check out the kickstarter page and watch the video of me announcing the project on that page. http://www.kickstarter.com/projects/112182510/super-detailed-abstract-pencil-art-amazing-realiza

TIME SPENT:
I started this drawing in November 2012 and I’m in the last stretch of drawing in of this video. At the time this video was posted, frames have been captured up through video 15, and half of 16. So there’s a lot left, but it’s getting close. For this video alone (number FOURTEEN), I captured 4,610 frames. Each of these frames was taken between 1 and 10 seconds apart. It varies due to the nature of stop motion and the complexities of drawing with one hand and capturing frames with the other hand. I’ll have a rough estimate by the time I post the final time-lapse project video. Subscribe to my channel and you’ll get it delivered right to you from the friendly YouTube folks.

SOUNDTRACK – “Biplane Donkey Boots” by JeffJag
The sounds were created in the Moog Animoog app on iOS and mixed together in the built-in Animoog 4-track audio editor. All composing, recording, sequencing, and mixing was done by myself specifically for this stop motion time-lapse video. It is only available in this video since that is it’s exclusive purpose and why I created it.

TIME-LAPSE and STOP MOTION
Stop motion and Time-Lapse are used at different intervals during this video. The first two videos in the series were shot at a frame every 5-8 seconds. Later on, I decided to get out my remote shutter release and you can see me holding the button in my left hand as I draw with my right hand. Starting with video 10, I use a wireless shutter release which is super awesome.

WHAT’S WITH THE LATEX GLOVE?
I use a latex glove on my left hand while I draw to keep the oil of my hand from getting on the paper. I place a white sheet of paper under my right hand so I can shade without smudging what I’ve already done. Because I have to move my right hand while drawing, this keeps my hand free to move over areas I may have already drawn without smearing the work.